Chuck Kelton says most printers can get 90 percent of an image right. But that final 10 percent is where a printer’s darkroom skills will draw out the photo’s magnificence.
On the painter Richard Estes and his exhibition at the Museum of Arts and Design.
Thrilled to have made a contribution to the inaugural issue of Smithsonian’s quarterly publication, Journeys. The theme is Paris and my (short) piece is about a photographer who uses Instagram to document his city. Get the first issue in advance here or wait for it to appear on newsstands in three weeks. -Rena
As a young refugee unfamiliar with a new language, Sylvia Plachy learned to watch her surroundings. A new retrospective tracks 50 years of her journey.
A 12-year-old girl followed him everywhere. And she got the part. Abderrahmane Sissako tells what it’s like to make a reality-based movie in Mauritania.
Martin Lehmann knew the tale of Baby Rose, a child born with a heart defect, would not end well. But before it did, he was there to chronicle her life with a loving family.
Lynsey Addario does not just cover war zones. In her new memoir It’s What I Do she also writes about her photographs from humanitarian crises in Africa.
The idea of using small cameras to document the world around you led the Columbus Museum of Art to mount an ambitious show of Instagram photos.
Rather than flee to safe havens in America or Israel, some 2,700 Jews who survived Auschwitz returned to their European town in what is now Romania.
The urban landscape offers Luis Mallo a chance to find layered, complex compositions that reveal his intent.
Inspired by his poetic writings, Nathan Lyons combines two images that take on a third, metaphorical, meaning.
Anna Beeke didn’t encounter giants or princesses imprisoned in towers as she photographed forests. Her sylvan adventure led to no holy grail, but it did produce a photo project.
In the backs of pickup trucks, construction workers lie among tools and blankets, headed to the city for a day’s work. Alejandro Cartagena turned his camera on the carpoolers.
A photographer who went to document New York City’s bridges and elevated train tracks discovered worlds of activity underneath them.
Magnum photographer Stuart Franklin finds two very different photographs from his archive.
Tomas van Houtryve wanted to show American viewers the kind of ambiguous situations where the military has used drones to strike at combatants and, at times, civilians.
It was only after photographer Sage Sohier had been photographing gay and lesbian couples in the mid-1980s that she realized she had a personal connection to the topic.
In honor of the U.N.’s International Day of the Girl Child I interviewed five photographers who devote much or all of their time to documenting the lives of global girls, who face terrible things from genital mutilation to child marriage.
In the tradition of photographers calling attention to societal ills, Marc Asnin has begun a campaign enlisting photographers to take selfies to campaign against capital punishment.
Whether on Japan’s street or shores, Issei Suda takes pictures like a swordsman, with light swiftly slicing the scene.
A new website and book feature the work of North African photographers whose projects show aspects of life overshadowed by the region’s tumult.
The photographer Sebastiao Salgado, in New York City on Thursday, says we are at a “special moment” — our world now needs to be protected from climate change and other forces.
Among the images in Vanessa Winship’s first retrospective are portraits taken with a view camera, which led her to slow down and engage her subjects rather than be fleetingly invisible.
A photographer has asked hundreds of prisoners a straightforward question – if your cell could look out on one scene, what would it be?