In “Taradiddle,” Charles Traub’s photographs reveal how the camera plays tricks.
Gianluca De Bartolo traveled to a mountain village in southern Italy to document how the town celebrates its patron saint with an arboreal wedding.
Photoville, the free photo festival that takes place under the Brooklyn Bridge, is now in its seventh year. In some 90 exhibits and outdoor installations featuring 600 artists, the festival is focusing on themes of gender, social and ethnic diversity, resilience, freedom of speech, and immigration.
Every year in the Central Valley, Portuguese-Americans bring bullfighters from overseas and put on huge festivals — but shed no blood.
When Ekaterina Solovieva traveled to a remote lake town in northern Russia, she encountered an Orthodox priest with a decidedly unorthodox manner.
While in Paris, photography became Brassai’s main language as he wandered through bars, ballrooms and occasionally brothels, sometimes giving direction to his subjects.
A new exhibition at the J. Paul Getty Museum in Los Angeles looks at the complex — and sometimes even illicit — history of photography in the United States.
This year’s FotoFest International, the first and longest-running worldwide photography biennial, focuses on work by artists of Indian origin.
In 1904, Bayard Wootten, a divorced single mother in North Carolina, first borrowed a camera. She went on to make more than a million images.
A reissue of “The Beautiful Smile” looks back on Nan Goldin’s highly personal work that combines art photography with a snapshot aesthetic.
An upcoming show at the Museum of Fine Arts in Boston explores the idea of family: from the ones shown in portraits to the fleeting glimpses of the photographer whose own family is back home, waiting.
A piece printed in the Times’s Metropolitan section as well as the Lens Blog about Helen Levitt’s subway series .
More than just providing of shade, fruit or wood, trees are nature’s documentarians, witnessing – and sometimes playing a role in.
A recently republished book sorts out the life of Tina Modotti as an artist and activist — and the long shadow of Edward Weston.
Igor Posner returned to St. Petersburg looking for the “half-seen, half-recollected” moments that had stayed in his mind since he left Russia in the early 1990s.